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・ Roberto Neves Adam Júnior
・ Roberto Nicastro
・ Roberto Nicolás Saucedo
・ Roberto Nobile
・ Roberto Noble
・ Roberto Novoa
・ Roberto Nurse
・ Roberto Liberato
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・ Roberto Linares
・ Roberto Linck
・ Roberto Lippi
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・ Roberto Locatelli
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Roberto Longhi
・ Roberto Longo
・ Roberto Lopes da Costa
・ Roberto Lopes Nascimento
・ Roberto Lordi
・ Roberto Lorenzini
・ Roberto Losada
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・ Roberto Lovera
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・ Roberto López González
・ Roberto López Rosado
・ Roberto López Suárez


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Roberto Longhi : ウィキペディア英語版
Roberto Longhi

Roberto Longhi (December 28, 1890 in Alba - June 3, 1970 in Florence) was an Italian academic and art historian. The main subjects of his studies were the painters Caravaggio and Piero della Francesca.〔(Longhi, Roberto ) Dictionary of Art Historians〕
==Early life and career==
Longhi was born in December 1890, at Alba in Piedmont. His parents were from Emilia. He studied under Pietro Toesca, in Turin, and Adolfo Venturi in Rome. The latter made him editor of book reviews at the journal ''L'Arte'', by 1914. Between 1913 and 1917, Longhi, primarily an essayist, published in ''L'Arte'' and ''La Voce'', essays on Mattia Preti, Piero della Francesca, Orazio Borgianni and Orazio Gentileschi.
Roberto Longhi developed a fascination with Caravaggio and his followers; his ''Quesiti caravaggeschi'' (questions ) (1928–34), was followed by the ''Ultimi studi caravaggeschi'' (Caravaggio research ) (1943). In 1951, Longhi curated a ground-breaking exhibition on Caravaggio in Milan, followed by an artist monograph in 1968.
Whilst establishing himself as a notable Caravaggio scholar, Longhi retained a lively interest in Piero della Francesca, publishing a monograph in 1928, representing him as the leading painter of the Quattrocento. He believed Piero played a decisive role in the development of Viennese painting. This monograph, which Kenneth Clark opined could hardly be improved upon, is a classic of art-historical literature.〔
Between 1920 and 1922, Longhi made a Grand Tour of Europe (reaching Great Britain only much later). He never visited Russia, nor some American collections, like the Kress Collection of the National Gallery, Washington. However, his first-hand viewing of many works, like those in the Borghese Gallery in Rome, led to the rediscovery of many lost masterpieces (such as two panels of a Giotto altarpiece).
Longhi also rekindled interest in a large number of followers of Caravaggio, such as Hendrick ter Brugghen (monograph published 1927). His study of the painters from Ferrara, ''Officina Ferrarese'' (1934) is exemplary.〔 Along with the publication of the ''Officinia'', Longhi started his academic career, first as Professor at Bologna University (from 1935), later Florence.
From 1950, Longhi edited ''Paragone'', a periodical he founded and contributed to substantially.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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